I found the lead to this story buried in the last paragraph. But reading through Allison Williams’ thought process to get her to that point was a shared experience by most writers.
“Ready to submit” rarely means “doesn’t need any more revisions.” Thankfully, most literary journal editors are able to help refine accepted work until a piece is the best it can be. I’ve gone back and forth for word choices, tonal missteps, and fact-checking/legal ass-covering. Sometimes a magazine accepts a piece with tremendous potential they think is worthy of a deeper edit to become publishable.
It’s often a pleasure to dive back into a “finished” piece with the help of fresh eyes, and fix tiny moments–or even giant structural issues–holding the essay back. It’s also natural to feel defensive, even hurt, when receiving edits. Natural enough that when I send an editorial letter to an author, I always include,
Remember, you don’t have to agree with my diagnosis of a particular problem, but it’s worth examining the section to see if…
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